Sunday, April 10, 2016

A Month of Favorite Poetry, Day #8

There's so much about this poem that I enjoy.  It just sort of pulls you into that world, the lack of sleep, the desperation for rest.  The weariness of tried-out sleep meds and the constant brain-patter your mind rehashes over and over when you cannot sleep.

What's best is the ending.  Yes, a brainwashed civilization, glass-eyed as they repeat mundane job responsibilities over and over and over until they retire or die or can repeat no longer.

Sort of reminds me of this quote by Billy Joel:  "If you are not doing what you love, you are wasting your time."

Maybe that's why some of us can't sleep, unconsciously we're remembering this is our life, something substantial must change...and we just haven't yet figured out what or how and that desperate sort of anxious awaiting is what keeps us awake.



The Insomniac 
by Sylvia Plath

The night is only a sort of carbon paper,
Blueblack, with the much-poked periods of stars
Letting in the light, peephole after peephole . . .
A bonewhite light, like death, behind all things.
Under the eyes of the stars and the moon's rictus
He suffers his desert pillow, sleeplessness
Stretching its fine, irritating sand in all directions.

Over and over the old, granular movie
Exposes embarrassments—the mizzling days
Of childhood and adolescence, sticky with dreams,
Parental faces on tall stalks, alternately stern and tearful,
A garden of buggy rose that made him cry.
His forehead is bumpy as a sack of rocks.
Memories jostle each other for face-room like obsolete film stars.

He is immune to pills: red, purple, blue . . .
How they lit the tedium of the protracted evening!
Those sugary planets whose influence won for him
A life baptized in no-life for a while,
And the sweet, drugged waking of a forgetful baby.
Now the pills are worn-out and silly, like classical gods.
Their poppy-sleepy colors do him no good.

His head is a little interior of grey mirrors.
Each gesture flees immediately down an alley
Of diminishing perspectives, and its significance
Drains like water out the hole at the far end.
He lives without privacy in a lidless room,
The bald slots of his eyes stiffened wide-open
On the incessant heat-lightning flicker of situations.

Nightlong, in the granite yard, invisible cats
Have been howling like women, or damaged instruments.
Already he can feel daylight, his white disease,
Creeping up with her hatful of trivial repetitions.
The city is a map of cheerful twitters now,
And everywhere people, eyes mica-silver and blank,
Are riding to work in rows, as if recently brainwashed.


From The Collected Poems, 1981

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